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The worrisome thing is that she is not alone in her apparent inability to tell the representation from the thing being represented.Hers is an endlessly mediated generation, for whose members life is increasingly lived as a performance on the stages of Instagram and Twitter.At the same time, she confesses to having no significant knowledge of economics or history, and both her book and her television show — to say nothing of her political advertisements — demonstrate a flat, bland incuriosity about the wider world.What her “real politics” are composed of is therefore mysterious. Here is a list of things in Lena Dunham’s life that do not strike Lena Dunham as being unusual: growing up in a .25 million Tribeca apartment; attending a selection of elite private schools; renting a home in Hollywood Hills well before having anything quite resembling a job and complaining that the home is insufficiently “chic”; the habitual education of the men in her family at Andover; the services of a string of foreign nannies; being referred to a when she refused to do her homework and being referred to a relationship therapist when she fought with her mother; constant visits to homeopathic doctors, and visits to child psychologists three times a week; having a summer home on a lake in Connecticut, and complaining about it; writing a “voice of her generation” memoir in which ordinary life events among members of her generation, such as making student-loan payments or worrying about the rent or health insurance, never come up; making casual trips to Malibu; her grandparents’ having taken seven-week trips to Europe during her mother’s childhood; spending a summer at a camp at which the costs can total almost as much as the median American family’s annual rent; being histrionically miserable at said camp and demanding to be brought home early; demanding to be sent back to the same expensive camp the next year.“I think I may be the voice of my generation.” So says Lena Dunham in the role of her alter ego, Hannah Horvath, in the first episode of , the HBO series she has been writing and starring in since 2012.And they were, in their daughter’s telling, enablers of some very disturbing behavior that would be considered child abuse in many jurisdictions — Lena Dunham’s sexual abuse, specifically, of her younger sister, Grace, the sort of thing that gets children taken away from non-millionaire families without Andover pedigrees and Manhattanite social connections. anything a sexual predator might do to woo a small suburban girl I was trying.” At one point, when her sister is a toddler, Lena Dunham pries open her vagina — “my curiosity got the best of me,” she offers, as though that were an explanation.

A few minutes later, I know a great deal about him: Where he works, where he lives, what he majored in, his high-school-prom plans, people we know in common, and other surprising intersections between our lives.The scene is classic Dunham, if we can use “classic” to describe a phenomenon of such recent vintage.The basic sentiment is there in plain English, but it must be qualified, run through the irony dicer until it is practically a Cubist representation of the original, and held at a comfortable distance.We speak very briefly, and he is concerned that I will use his name.It’s a strange thing to be concerned about — his name is out there, easily found.

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