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As they were found on the 'net, I would not be surprised if you already have them. They deserve to be here as much as any other great GIMP artwork. As much as I appreciate your review AC, I don't agree that anything I can't get excited about is still worth seeing. Thanks for an informative write-up and those outstanding caps.
So to you and anyone else sharing the Fumetti love, PLEASE, by all means, keep it up. Howie wrote: If you see one of my reviews go up, you know it's because I REALLY dug the flick.
They break even the few rules Mother gives them (no night sailing, no matches for under-tens).
When Rafe Spall as the fleeing spy jumps into their train carriage and grabs the baby to his face as camouflage while mother lounges in the corridor having a fag, it is not seen as particularly untoward.
Unlike the plethora of fetish photos and videos we see so frequently, hand-crafted art (like fiction) can depict scenes unconstrained by real life limitations, allowing the realization of anything the artist might imagine.
But the balance is perfect: never do we lose that sense of make-believe and play, centred on the dreamy chronicler Tatty (a beautiful performance by Teddie-Rose Malleson-Allen) and in the wide eyes and babyish braveness of Bobby Mc Culloch’s Roger, who is allowed to show genuine fear as well as excitement.Re: car batteries and electrocution: for any type of battery, how close the negative and positive electrodes are to each other is a key part of getting the current to work properly; if ones on your toe and the others on your finger, you're probably not going to feel more than a very mild tingle: but put them both on the nipples (or balls for the boys) and you'll get a jolt.Some batteries (like car batteries) need a small break in the skin to give the best results, and that's where the teeth of the clamps or clips come in useful; they can make tiny piercings in the skin that are enough to give the current the opening it needs to cause pain.Ramping-up the drama could have spoiled the beauty of the original, which depends on a fantasy world of pirates and exploration which the Walker children create for themselves, and share with the tomboy Amazons The spy story involves a ferocious kidnap and two real guns being pointed, which is not very Arthur Ransome: but frankly, for modern children the improbability of the 007 stuff probably pales beside the startling freedom that these Twenties brats were allowed: it must seem like another planet.So the children have a serious knife, make fire by blowing on flaming tinder held in their palms, gut fish with spectacularly bloody incompetence, lose all their food overboard, and ask sinister old men in dense woods for advice.